Case 1 · Time + compute + cash
MAJLIS
Six directors, one virtual majlis — and a campaign where working days and GPU hours count beside cash.
- Funded
- 62%
- of the all-or-nothing goal
- Committed
- $29,930
- of the $48,000 goal
- Backers
- 0
- confirmed contributors
- Milestones
- 0 of 4
- released from escrow
Live figures, read from the same records the project page serves — nothing here is illustrative.
MAJLIS is the flagship pipeline running for real: an anthology shot on one LED volume in Doha, funded by thirty backers whose pledges arrive in three different currencies. Here is its campaign, exactly as the ledger holds it.
A campaign built on the AI & virtual production template.
The template scaffolds what this production actually needs: milestone budgets with compute lines, roles for prompt artists and AI colorists, and a campaign that can price time and GPU hours, not just cash.
Three currencies on one meter.
Cash pledges from thirty backers sit beside accepted time pledges — a virtual-production supervisor, an editor, a sound designer at agreed day rates — and a 5,000-GPU-hour commitment priced at the campaign's declared unit value. The mix below is their sum, floored, never rounded up.
- Cash · $15,930(53%)
- Time · $11,000(36%)
- Compute · $3,000(10%)
All of it in escrow, all-or-nothing.
Nothing charges unless the goal is met by the deadline. Every pledge, in any currency, is held and visible on the project page as it lands.
Milestones publish their compute before spending it.
Each milestone carries its cash budget and its compute budget. The models, GPU hours and token counts below are the production's own published lines, released only on backer approval.
- 1 · Previz and chapter scripts$11,000Planned3 compute lines
- 2 · Volume shoot, Doha$19,000Planned2 compute lines
- 3 · Post, grade and localisation$13,000Planned3 compute lines
- 4 · Delivery and festival masters$5,000Planned1 compute line
| M | Line item | Model | Quantity | Budget |
|---|---|---|---|---|
| 1 | Storyboard-to-previz generation | wan-2.5-i2v | 620 GPU-h | $1,116 |
| 1 | Script and shot-list drafting | kawkav-chat-30b | 42,000,000 tokens | $420 |
| 1 | Concept plates (2,400 stills) | flux-1.1-pro | 190 GPU-h | $342 |
| 2 | Volume-stage LED plate rendering | unreal-5.5-pathtrace | 1,450 GPU-h | $3,045 |
| 2 | On-set relight iterations | wan-2.5-i2v | 380 GPU-h | $684 |
| 3 | Upres and denoise, 96 min | topaz-astra | 540 GPU-h | $972 |
| 3 | Arabic and English dialogue cleanup | whisper-large-v3 | 60 GPU-h | $72 |
| 3 | Subtitle and dub pass, 4 locales | kawkav-chat-30b | 18,000,000 tokens | $180 |
| 4 | Festival and platform masters | ffmpeg-nvenc | 90 GPU-h | $108 |
The company behind it is already incorporated.
Majlis Anthology Productions L.L.C. exists, with subscriptions waiting on a closed compliance gate: shares are reserved but not issued until the officer opens it. The register below is the real one.
- Authorized shares
- 1,000,000
- Subscribed
- 25,000
- Registered
- 0
- Holders
- 0
The register above is the company's live record; token reflections are minted per entry once the compliance gate opens.
And everyone lands in the same table.
When revenue returns, the waterfall recoups cash, time and compute at the same rank. The supervisor's days and the sponsor's GPU hours recoup exactly like money — because on the ledger, they are.
Check the source
Every number in this article reads from the live project. Open the project page and compare — the case study has no numbers of its own.